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Communication theories

Journalism and Mass Communication (BA/BJMC) · Mass communication · free study notes for exams, placements and interviews

In short

Communication theories are organised explanations of how messages are produced, carried, received and how they change what people know, feel and do. They give journalism and mass communication students the vocabulary — source, encoding, channel, noise, feedback, effect — used in every newsroom brief, campaign plan and media research study. They are examined in nearly every BJMC/BA(JMC) university paper (Introduction to Communication, Communication Theories, Media Effects), in UGC-NET Mass Communication and Journalism Paper II, and in entrance tests for IIMC, Jamia MCRC, Symbiosis (SIMC) and Xavier's. Employers test them indirectly: agenda-setting and framing in editorial and PR interviews, uses and gratifications in audience/OTT research, development communication in government and NGO campaign roles.

Explained

What a theory is, and the levels of communication

Linear, interactive and transactional models

  1. Aristotle (4th century BCE) - speaker, speech, occasion, audience, effect; *ethos, pathos, logos* as means of persuasion. Oldest model, purely speaker-centred.
  2. Lasswell (1948) - "Who says What in Which Channel to Whom with What Effect"; maps directly to control analysis, content analysis, media analysis, audience analysis and effect analysis. Linear, no feedback, assumes an effect always occurs.
  3. Shannon and Weaver (1949), the "mother of all models" - information source → transmitter (encoder) → channel → receiver (decoder) → destination, with a noise source acting on the channel; Weaver added three levels of problems - *technical* (accuracy of signal), *semantic* (meaning), *effectiveness* (behaviour). Engineering origin (Bell Labs); criticised as mechanistic.
  4. Osgood-Schramm (1954) - circular: both parties continuously encode, interpret and decode; introduces the field of experience - communication works only where the fields overlap.
  5. Berlo's SMCR (1960) - *Source* (communication skills, attitude, knowledge, social system, culture), *Message* (content, elements, treatment, structure, code), *Channel* (five senses), *Receiver* (same five attributes as source). No feedback element; stresses source-receiver similarity (homophily).
  6. Newcomb's ABX (1953) - the first model to put communication in a *social* frame: A and B orient to each other and to object X; imbalance (disagreement) drives communication to restore symmetry.
  7. Westley and MacLean (1957) - adds the C role, the gatekeeper/channel between advocate A and audience B, with feedback loops (fBA, fBC, fCA) - the classic model of mass media.
  8. Gerbner (1956) - verbal and diagrammatic; perception → means and control → content; introduces that the communicator's perception of an event is itself selective.
  9. Dance's helical model (1967) - communication as an upward spiral: never returns to the same point, each exchange builds on all previous ones.
  10. Transactional view (Barnlund, 1970) - simultaneous sending and receiving, meaning created jointly; best fits social media.

Era 1 - Powerful effects (1900-1940) and the limited-effects correction

Era 2 - Moderate, cognitive and long-term effects

Critical, cultural and medium theories

Normative theories, development communication and the Indian framework

Key points

Formulas and examples

Shannon's information measure: H = −Σ pᵢ log₂ pᵢ (bits per symbol); pᵢ = probability of symbol i. Maximum H = log₂ n for n equally likely symbols.
Redundancy R = 1 − (H / H_max), expressed as a fraction or %; redundancy is the repetition that protects a message against noise.
Channel capacity (Shannon-Hartley): C = B log₂(1 + S/N) bits per second; B = bandwidth in Hz, S/N = signal-to-noise power ratio.
Agenda-setting strength: Spearman rank correlation rₛ = 1 − 6Σd² / [n(n² − 1)]; d = difference in ranks of an issue on the media agenda and the public agenda, n = number of issues.
Cultivation differential CD = % "TV answers" among heavy viewers − % among light viewers (percentage points).
Reach, frequency, GRP: GRP = Reach (%) × Average frequency; CPM = (cost of the schedule ÷ impressions) × 1,000 (rupees per thousand).

1. Entropy and redundancy of a headline alphabet. A headline generator uses 4 equally likely words.

2. Channel capacity for a community radio link. B = 10 kHz, S/N = 1,023.

3. Agenda-setting correlation. Five issues are ranked by number of news stories (media agenda) and by a public survey of "most important problem".

IssueMedia rankPublic rankdd²
Unemployment12−11
Inflation2111
Air pollution34−11
Education4311
Corruption5500

4. Cultivation differential. Of 400 heavy viewers (4+ h/day), 232 say "most people cannot be trusted"; of 600 light viewers (under 2 h/day), 216 say the same.

5. Two-step flow reach. A Hindi daily reaches 8,00,000 readers; 5% act as opinion leaders and each talks to 12 others, of whom 60% recall the message.

TheoryAudienceEffect sizeCore claim
Hypodermic needlePassiveVery large, immediateMedia inject uniform effects
Two-step flow / KlapperSocially embeddedLimited, reinforcingInterpersonal channels mediate
Agenda settingCognitive, orientingModerate, on salienceMedia set the issue priority list
CultivationHeavy vs light viewersSmall but broad, long-termTV shapes worldview over years
Uses and gratificationsActive, goal-drivenChosen by userPeople use media to meet needs
Hall / criticalInterpretive, situatedIdeologicalMeaning is contested within power

Where it is used

Interview questions

Common mistakes

Related topics

Media industry in India · Film studies basics · Media laws and ethics · Development and rural communication · Advertising and public relations principles · Media research methods and content analysis

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